Mothers in Shakespeare

1. The beginnings of a Motherless population or The crime against love as humanity When we ar born, we cry that we are come To this big(p) stage of fools. -- William Shakespeare, King Lear We wordly man index Have miserable, mad, identify eyes. -- William Shakespeare, Titus Andronicus The passe-partout mythology of the matriarchal society was that of the Goddess Earth in her ternary aspects: the discolour Goddess of birth and growth, the red Goddess of war and battle and the erosive Goddess of destruction and divination, praised and respected by men as her intelligences and lovers. She was the embodiment of the power of Space, Time and Matter within whose bounds solely boot out and die, the substance of body, configurator of manners and thought, receiver of the deathly for reincarnation . This was a mythology of unity, the Goddess was the Goddess of Complete Being, and man belonged to the cycles of nature as watchword and lover of the Goddess. In the course of time, however, the mythology was transformed, reinterpreted and eventually suppressed. The Goddess was demonized and men move into her masters. From the moment Antaeus, son of Gea, was weaned remorselessly by Hercules, son of Zeus, the Cogito ergo sum principle became the overpowering force in the world and the creative contact with Undine was severed for good.

What William Shakespeare tries to show us are tragic consequences of the myth of love substituted by the myth of power, control and materialism. such view of life reduced to a simple destiny of objects J.C. Ransom calls Platonism. It is above all pre datory for it translates the complexness of ! life to a set of manageable formulas, it is an impulse to experience and collect the richness of life out of fear that much(prenominal) complexity skill annihilate our... If you want to get a full essay, post it on our website: OrderCustomPaper.com

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